San Cassiano Altarpiece Contents History See also References Sources External links Navigation menuDescription page at the museum's websiteArchivedPage at the museum's websiteAntonello da Messina: Sicily's Renaissance Master

1470s paintingsPaintings by Antonello da MessinaPaintings of the Madonna and ChildPaintings of the Kunsthistorisches MuseumPaintings depicting Mary MagdaleneAltarpieces


Antonello da MessinaSan CassianoVeniceKunsthistorisches MuseumViennaDavid Teniers the YoungerTheatrum PictoriumJohannes WildeMary MagdaleneGiovanni BelliniSan Giovanni e Paolo














San Cassiano Altarpiece
Messina.Madona01.jpg
ArtistAntonello da Messina
Year1475–76
MediumOil on panel
Dimensions55.9 cm × 35 cm (22.0 in × 14 in)
LocationKunsthistoriches Museum, Vienna


Reconstruction of the original work with existing fragments and copies of fragments.


The San Cassiano Altarpiece is a painting by the Italian Renaissance master Antonello da Messina, dating to 1475–1476. Commissioned for the church of San Cassiano in Venice, it was disassembeld in the early 17th-century and the reunited central portion is now housed in the Kunsthistorisches Museum in Vienna. It was one of the most influential paintings in the Veneto area of the time.[1]




Detail of St. Nicholas and Mary Magdalene.




Contents





  • 1 History


  • 2 See also


  • 3 References


  • 4 Sources


  • 5 External links




History


It is unknown when it was disassembeld or why, but it was already in fragments when parts of it were documented by David Teniers the Younger for his Theatrum Pictorium in 1660. It wasn't until 1929 that three of the fragments were reunited by the Hungarian art historian Johannes Wilde. Other surviving fragments have been analysed to fit according to the model of a reconstruction in a virtual architectural study. Originally a larger altarpiece, it now comprises only the central panel with the Virgin Enthroned, and four half-busts of saints: St. Nicholas of Bari, Mary Magdalene (or Ursula), St. Lucy and St. Dominic.


Allegedly inspired by another Holy Conversation by Giovanni Bellini in the church of San Giovanni e Paolo (now known only through copies), it feature however a more balance composition and a more sober architecture. Antonello adopted a pyramidal layout, enhanced by the accurate use of light.


The book with three golden balls held by St. Nicholas alludes to the episode in which he gave them to three girls to be used as dowry.



See also


  • Italian Renaissance painting, development of themes


References




  1. ^ Description page at the museum's website Archived 2011-06-29 at the Wayback Machine



  • J. Wilde, "Pala di San Cassiano" Rekonstruktionsversuch, Jahrbuch der Kunsthist. Samml. in Wien, n. s., III (1929), pp. 57-72


Sources



  • De Vecchi, Pierluigi; Elda Cerchiari (1998). I tempi dell'arte. Milan: Bompiani. ISBN 88-451-7212-0..mw-parser-output cite.citationfont-style:inherit.mw-parser-output .citation qquotes:"""""""'""'".mw-parser-output .citation .cs1-lock-free abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .citation .cs1-lock-subscription abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registrationcolor:#555.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration spanborder-bottom:1px dotted;cursor:help.mw-parser-output .cs1-ws-icon abackground:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center.mw-parser-output code.cs1-codecolor:inherit;background:inherit;border:inherit;padding:inherit.mw-parser-output .cs1-hidden-errordisplay:none;font-size:100%.mw-parser-output .cs1-visible-errorfont-size:100%.mw-parser-output .cs1-maintdisplay:none;color:#33aa33;margin-left:0.3em.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-formatfont-size:95%.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-leftpadding-left:0.2em.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-rightpadding-right:0.2em


External links



  • Page at the museum's website (in English)


  • Antonello da Messina: Sicily's Renaissance Master, a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on the altarpiece


1470s paintings, Altarpieces, Paintings by Antonello da Messina, Paintings depicting Mary Magdalene, Paintings of the Kunsthistorisches Museum, Paintings of the Madonna and ChildUncategorized
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